Loie Fuller is a turn-of-the-century dancer whose name stands apart. She is often coupled with the great Isadora Duncan, who was also an experimental dancer, but Loie Fuller was first. Fuller is most closely associated with Art Nouveau. She first came to prominence in the 1890s and was admired and imitated well into the 1900s. Like many luminaries of her time, Fuller caused a sensation in France; Paris called her La Loïe.

The image at the top is a poster designed by Jules Cheret in 1893 to advertise an upcoming performance at La Folies Bergère cabaret in Paris.

Loie Fuller, Library of Congress


She was born Marie Louise Fuller near Chicago, Illinois. Loie was introduced to public life early. She was a professional child actress, who later became interested in dancing and lighting effects. Loie Fuller developed her own free dance techniques. She performed choreography in long silk dresses before multi-colored lights.

Her talent was instantly recognized. The poet William Butler Yeats admired her and Henri de Toulouse-Lautrec painted her. Even the legendary Lumière brothers were entranced. Auguste and Louis Lumière were amongst the very first pioneers into filmmaking and they were captivated by Loie’s Serpentine dance.


Lumière brothers

Strangely, despite nearly every important pioneer filmmaker working with Loie Fuller at some point, their original films of her were lost. What remains are their contemporaneous movies of other women performing Fuller’s famous serpentine dance.

Color film was many years in the future, so the colors you see here have been hand-colored by the filmmakers on a frame-by-frame basis, to capture the dazzling multi-colored effects of Loie Fuller’s live shows.




Should you want to learn more about Loie Fuller, I recommend this excellent article on the Public Domain Review.

As a companion to last week’s post about young native Americans, this post is about elderly native Americans, taken at roughly the same time. It’s more interesting to look at the faces of the very old than younger people, because you can see the marks life has left on their faces. The lines on their faces tell us a lot about them: did they smile a lot or were they stern? Are they stooped or standing straight? How formal are they?

The first photograph was taken in 1906 by Frank Bennet Fiske. It depicts an elder in tribal dress with the fascinating name No Heart. It was taken in the North Dakota Badlands. If I were guessing by his eyes- or for that matter his name- I’d say he was a fierce character in his youth.

There was a man named No Heart, who was the chief of the Ioway tribe, but I don’t know if this is the same person. You can read more about him here.

The second photo is a centenarian Pueblo Indian woman named Juanita. The photo was taken by David Thomas Duckwall in 1902, and lists her age as 108. That would mean this woman was born in 1794! It’s difficult to tell what Juanita would have looked like earlier in her life, but she still had very beautiful hair– at age 108!



This is Washakie, Chief of Shoshones! This photograph was taken shortly before his death in 1900, by photographers Rose & Hopkins.

Per JacksonHoleHistory.org, Chief Washakie is one of the most famous Eastern Shoshone leaders. He played a prominent role in the territorial and statehood development of Idaho, Montana, Utah, and Wyoming. He was also well known for his kindness and graciousness to white settlers. His people would help travelers cross the dangerous terrain, and ensure no harm came to him. In an extraordinary testament to how beloved Washakie was, nine thousand grateful settlers once signed a document commending Washakie and his people for their kind treatment.

Washakie was very obviously someone who commands respect. Even his picture, staring down over 100 years into today, demands your attention. His face reflects the characteristics you would expect, based on what we know of him: humor, generosity, and benevolence.

Chief Washakie was born in Montana in 1804, which means he is about 96 years old in the first picture, which is incredible. The second picture is from Brittanica, and gives us a look at Washakie in 1880, when he would have been 76.



Washakie in 1880


The next two photographs were taken by O.J. Wingren, in La Conner, Washington in 1907.

The subject is Dr. Joseph, the chief medicine man of the Swinomish Reservation. The first photograph notes he is an elderly Swinomish traditional healer. Even though the photos are similar, it looks like they were taken on different days. He has a difficult face to read; I could only guess that he was an intelligent person and maybe someone who tended to be melancholy.



I hadn’t heard of La Conner before, but learned that it’s at the extreme Northwestern part of the country.


This photograph is titled Elk Woman. It was taken in 1900, and credited to photographers Heyn and Matzen, Chicago. The photograph notes that the woman is Sioux, but that’s all that we know factually about her. The deep lines in her forehead look like she’s had troubles in her life, but I would also guess she was unusually independent. Clues: the way she holds her mouth, the expression of her eyes, and her fastidiously neat clothing.


Today’s post features separate and- as far as I know, at least- unrelated American Indian subjects. All pictures are from the Library of Congress. There is scant information about these images, but what is available is included here.


The first is Moon Beam. This young woman was a Potawatomi Indian who was photographed in June 1909 by C.F. Squires, of Lawrence, Kansas.



The next photograph is called Voices of the Woods, and features a young girl identified as Indian-Hawaiian. She was photographed in 1909, by Caroline Haskins Gurrey. She was certainly very lovely.


The next photograph was called A Dusky Madonna. This young woman was photographed by Martin P. Spencer in May of 1902, in Wenatchee, Washington. We know little about the subject, except that she is from the Northwest, probably the Plateau region. She may possibly have been Spokane.


This picture is called Columbia, and it is the only one that gives us the subject’s name: Nancy Columbia. Nancy was a little Inuit girl. This picture of her and her dog was taken in 1904, at the Louisiana Purchase Exposition in Missouri. She was photographed by the Gerhard Sisters, of St. Louis, Missouri.

I wonder what sort of a dog this is. Once upon a time, I had a friend who had a dog he said was part wolf, and his dog looked a lot like this one.


Last, we have a photograph called The Cigarette, from 1908. I’m not sure if this is universally true, but in my experience, there aren’t very many pictures of young American Indian men, at least in comparison to Native American women. This young man was a Sioux Indian, who was photographed by John A. Johnson of W. Somerville, Mass. He looks like a movie star.

Sioux man