In the spring of 1906, dozens of young women disappeared from the town of Marrakesh, Morocco. In mid-April, ten young women were reported missing. Despite extensive searches, no trace of the women was found. The number of missing women rose to twenty. Then thirty.
Finally, the family of one woman, the thirty-sixth person to disappear in a 2-week timeframe, tracked her to the home and shop of a cobbler and letter-writer named Hadj Mohammed Mesfewi.
The wounded President McKinley was taken to Milburn House, where Ida was waiting. His cabinet was informed of the shooting, and they rushed to Buffalo to join the president. Initially, however, it looked as though a crisis had been averted. The doctors were optimistic and President McKinley appeared to be on the mend. The Cabinet dispersed and Vice President Roosevelt headed for a long-planned camping trip in the Adirondacks.
The doctors had overlooked the earliest signs that the president’s wounds had become infected and on the morning of September 13, a week after the shooting, William McKinley’s health began a rapid decline. The doctors were confronted with the ugly reality that the president was dying. Gangrene had set in, and it was rapidly poisoning him. No drugs yet existed that could control such an infection. His pulse grew fainter all day, until around 5 p.m., when the president suffered a heart attack.
The day after President McKinley spoke to a vast crowd at the Pan American Exposition, Leon Czolgosz hurried to the Temple of Music, with his .32 caliber revolver carefully hidden in his pocket beneath his handkerchief. He drew a breath of relief when he saw the long line of citizens waiting for the doors to open so they could have their turn to shake a U.S. President’s hand. His only concern was that something would have happened to detain McKinley and he would not have his chance. Czolgosz took his place at the end of the line.
McKinley only had ten minutes allotted for greeting the public, and the line moved forward swiftly. While they waited, they could listen to William Gomph, the exposition’s organist, playing Robert Schumann’s Träumerei from Kinderscenen on the Temple’s famed organ.