This is part 2 of the very unusual McNeil Island mugshots from the 1890s-1906.
As you’ve seen, McNeil Island Penitentiary tended to photograph men in pairs, wearing their striped prisoner clothing, and with their name and prison number scribbled on the back.
But there were a few mugshots that did not fit this profile. Or they fit but there is something else that is unusual about them.
Of all the mugshots, only two were of women. Neither was photographed in stripes, and I wondered if they were really prisoners and not a spouse or an employee, but they had numbers so they must’ve been. And Maggie Snyder, featured here, does look like nothing but trouble:
Maggie Snyder #152-05
Florence Harley #182
Then, there are these two. Quite possibly the coolest looking but practically useless mugshots in the world.
Harry Allen 106-05John Sedion #107-05
The only line-up photo
John Cole #1185 Wm Smith #1183 Nael Waterman #1132 Daniel While #1136 John Mamering #1134
These were definitely convicted men, but probably photographed before they were given clothing to wear. Ray Hon, on the right, has a truly frightened look on his face. The other man, on the left, should be trusted with nothing, ever.
John Slattery #140-05 Ray Hon #141-05
This was the only photo that listed the date on the back, and the prisoner did not have a number. Something about him makes him seem more like a patient than an inmate.
Joseph Breslin dated 10:25:06
The hat!
Name illegible #1427 Lee West #1243
Photographed alone, without stripes, but he did have a number.
Nee Ching #154-05
A cruel face…
These men were not identified by name or number.
Another cruel face, and a frightened one.
Richard Henn #1323 James Feney #1322
The last post mentioned the Legion to Indian term as well. I’m not sure what it means. By the way, the text beneath each picture is an exact transcription of what was written on the back of the photo. Stannestones was the other one-name-only prisoner, along with Mamick.
Stannestones (Indian) #1258 Legion to Indians; Daniel Dywood Also known as Disall #1257
The guy on the left is really good looking.
Walter Hoffman #1313 Paul Rodarek #1312
This fellow looks like he’s been in a fight or something
Walter Packwood #1601
If I’m able to look around some more, I would be interested to know what this guy did for a living. Hopefully he was a poet. He looks just like a character in a book.
Walter Stanley #160-05
This photo can only be described as creepy.
Wm Bigelow #1432 Charles Johnson #1583
I think William Moore might actually be wearing a pocket watch! I guess you can’t hide style.
Mugshot March continues with a special double-header! Most people who follow this blog know of my great interest in mug shots, but these are special.
Near Steilacoom, Washington, on McNeil Island in the Puget Sound, a prison was opened in 1875. This was the McNeil Island Federal Penitentiary, with space for 853 prisoners.
Image from gritcitymag.com
McNeil was initially a territorial correctional facility, and it was run by the U.S. Federal Bureau of Prisons from 1904-1981. Washington State Department of Corrections took over then and managed the prison until it was permanently closed in 2011. Today, the island is home to the Special Commitment Center for “sexually violent predators.” As of 2017, there were 268 residents at the facility.
A cell at McNeil Island. Image from gritcitymag.com
During its 136 years of operation as a prison, McNeil had a lot of “star inmates”, including Vincent Hallinan, a presidential candidate; Alvin “Creepy” Karpis, famed depression-era gangster; Mickey Cohen, the 1930s L.A. gang leader; Robert Franklin Stroud, “The Birdman of Alcatraz”; and the infamous Charles Manson. During the second world war, 85 Americans of Japanese descent were confined there after they resisted the draft. They were later pardoned by President Truman in 1947.
Despite the colorful personalities, the prison was a desolate place.
Cells at McNeil Island. Image from gritcitymag.com
The facility took a number of unusual mugshots during the late 1890s until 1906. They are some of the most unusual prison photographs taken in the United States.
The inmates were mostly photographed in pairs, but it’s not clear why. Possibly to be more economical with the film? Something about seeing two people in the picture makes them seem more real.
Often they were notably physically opposite but in most cases their prisoner numbers were very close so I imagine it was based on when they were brought in. A lot of the older guys looked like they had been born in prison. You just can’t imagine them anywhere else.
With a few exceptions, they wear the striped clothing that marks them out as prisoners, but as you’ll see there’s some variance between their appearance. Facial hair, especially mustaches, were far more common circa 1900 than in 2020. The prisoners are obviously posed–– I mean to say, these are not candid photographs.
Most photos had the names and inmate numbers of the persons in the photograph scrawled on the back. Often the writing is too sloppy to be fully legible, but I did my best! I believe the basic charge for each prisoner is available. Sometime I’ll go back and look but for now, the pictures can be appreciated for themselves.
Here are some of the great ones:
Frank Sems #1264 and Dan Carolon #1274
Ah Tai #1456 Lao Fon #1470
These two are an exception in that they are not radically different looking. In fact, they look a lot alike!
Ed Hanson #1238 James Moriarity #1236
This fellow looks like an old blues song. And the poor shape the picture is in really gives it some atmosphere. Would be a good cover for a blues album.
Charles Savage #141-05
The guy on the left reminded me a little of Eric Cantor, the former House Majority Leader. Could this be due to an underlying Freudian belief that most people in Congress should probably be doing time?
E.B. Covant #1301 and Thomas Martin #1701
I have really wondered about the guy on the left. If you notice, most of these prisoners are a little unkempt. But he must have spent quite a bit of his time on his hair, right? That’s elaborate!
Edward Nolan #1101 Warren Lucas #1087
Have you ever seen a more impressive mustache? The guy on the right must have felt completely inadequate about his facial hair.
Frank Doan #1324 Wm Hams #1325
George Sanfour Marshall Vince. Neither had a number
H.J. Maple #1306 Wm. Evans #1307
Henry Wallers #1318 Horace Chase #1321
I recognize the fellow on the left, J.E. Mann has a turn of the century look, but it’s kind of also a Creedence Clearwater Revival kind of look, too. Or am I crazy? He looks more 1970s to me.
J.E. Mann #1298 Joe Campbell #1299
J.J. Donohue #1519 James McConnell #1518
Jose Ciede (the guy on the left) has a frightening face.
Jose Ciede #1598 James E Harley no number
I am very curious about the man on the left, who was one of only two prisoners identified by one name only: Mamick. Unless it is just the way the light caught his eye, Mamick appears to have a glass eye or one blue eye and one brown.
Mamick #1524 Richard Cleveland #1522
Martin Burns #1589 Ed Marshal #1590
Several men had the phase “Legion to Indians” written beneath their photos. I wasn’t able to figure it out with a quick Google search, but if I find out later, I’ll update this to explain.
Mason Higgins #1279 Legion to Indians Mike MacKison #1278 Legion to Indians
Loie Fuller is a turn-of-the-century dancer whose name stands apart. She is often coupled with the great Isadora Duncan, who was also an experimental dancer, but Loie Fuller was first. Fuller is most closely associated with Art Nouveau. She first came to prominence in the 1890s and was admired and imitated well into the 1900s. Like many luminaries of her time, Fuller caused a sensation in France; Paris called her La Loïe.
The image at the top is a poster designed by Jules Cheret in 1893 to advertise an upcoming performance at La Folies Bergère cabaret in Paris.
Loie Fuller, Library of Congress
She was born Marie Louise Fuller near Chicago, Illinois. Loie was introduced to public life early. She was a professional child actress, who later became interested in dancing and lighting effects. Loie Fuller developed her own free dance techniques. She performed choreography in long silk dresses before multi-colored lights.
Her talent was instantly recognized. The poet William Butler Yeats admired her and Henri de Toulouse-Lautrec painted her. Even the legendary Lumière brothers were entranced. Auguste and Louis Lumière were amongst the very first pioneers into filmmaking and they were captivated by Loie’s Serpentine dance.
Lumière brothers
Strangely, despite nearly every important pioneer filmmaker working with Loie Fuller at some point, their original films of her were lost. What remains are their contemporaneous movies of other women performing Fuller’s famous serpentine dance.
Color film was many years in the future, so the colors you see here have been hand-colored by the filmmakers on a frame-by-frame basis, to capture the dazzling multi-colored effects of Loie Fuller’s live shows.
Should you want to learn more about Loie Fuller, I recommend this excellent articleon the Public Domain Review.
